Necessary Distraction

(Pure Melodrama)

Necessary Distraction
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paintedout:
“Cy Twombly, Untitled, February 1974
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met-cloisters:
“ Doorway, The Cloisters
Gift of George Blumenthal, 1935 Metropolitan Museum of Art, New York, NY
Medium: Limestone
http://www.metmuseum.org/art/collection/search/471166
”
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natgeofound:
“An amateur orchid grower works in the window of his greenhouse in Silver Spring, Maryland, April 1971.Photograph by Gordon Gahan, National Geographic
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twixnmix:
“  Nina Simone performing on a TV show filmed at BBC Television Centre in London, 1966.
Photos by David Redfern
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twixnmix:
“  Nina Simone performing on a TV show filmed at BBC Television Centre in London, 1966.
Photos by David Redfern
”
twixnmix:
“  Nina Simone performing on a TV show filmed at BBC Television Centre in London, 1966.
Photos by David Redfern
”
twixnmix:
“  Nina Simone performing on a TV show filmed at BBC Television Centre in London, 1966.
Photos by David Redfern
”
twixnmix:
“  Nina Simone performing on a TV show filmed at BBC Television Centre in London, 1966.
Photos by David Redfern
”
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cair–paravel:
“Colleen Moore’s fairy tale castle dolls’ house. Moore was one of the most successful silent film stars (famous for popularising the ‘Dutch boy’ bob), and she started creating this dolls’ house in 1928. She enlisted the help of...
cair–paravel:
“Colleen Moore’s fairy tale castle dolls’ house. Moore was one of the most successful silent film stars (famous for popularising the ‘Dutch boy’ bob), and she started creating this dolls’ house in 1928. She enlisted the help of...
cair–paravel:
“Colleen Moore’s fairy tale castle dolls’ house. Moore was one of the most successful silent film stars (famous for popularising the ‘Dutch boy’ bob), and she started creating this dolls’ house in 1928. She enlisted the help of...
cair–paravel:
“Colleen Moore’s fairy tale castle dolls’ house. Moore was one of the most successful silent film stars (famous for popularising the ‘Dutch boy’ bob), and she started creating this dolls’ house in 1928. She enlisted the help of...
cair–paravel:
“Colleen Moore’s fairy tale castle dolls’ house. Moore was one of the most successful silent film stars (famous for popularising the ‘Dutch boy’ bob), and she started creating this dolls’ house in 1928. She enlisted the help of...
cair–paravel:
“Colleen Moore’s fairy tale castle dolls’ house. Moore was one of the most successful silent film stars (famous for popularising the ‘Dutch boy’ bob), and she started creating this dolls’ house in 1928. She enlisted the help of...
cair–paravel:
“Colleen Moore’s fairy tale castle dolls’ house. Moore was one of the most successful silent film stars (famous for popularising the ‘Dutch boy’ bob), and she started creating this dolls’ house in 1928. She enlisted the help of...
cair–paravel:
“Colleen Moore’s fairy tale castle dolls’ house. Moore was one of the most successful silent film stars (famous for popularising the ‘Dutch boy’ bob), and she started creating this dolls’ house in 1928. She enlisted the help of...
cair–paravel:
“Colleen Moore’s fairy tale castle dolls’ house. Moore was one of the most successful silent film stars (famous for popularising the ‘Dutch boy’ bob), and she started creating this dolls’ house in 1928. She enlisted the help of...
cair–paravel:
“Colleen Moore’s fairy tale castle dolls’ house. Moore was one of the most successful silent film stars (famous for popularising the ‘Dutch boy’ bob), and she started creating this dolls’ house in 1928. She enlisted the help of...
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iehudit:
“paula rego, “the company of women,” 1997
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"That is why I write, and why I have to. When I feel swamped in my solitude and hidden by it, physically obscured by it, rendered invisible, in fact, writing is my way of piping up. Of reminding people that I am here. And when I have ordered my characters, plundered my store of images, removed from them all the sadness that I might feel in myself, then I can switch on that current that allows me to write so easily, once I get started, and to make people laugh. That, it seems, is what they like to do. And if I manage this well enough and beguile all the dons and the critics, they will fail to register my real message, which is a simple one. If my looks and my manner were of greater assistance to me I could deliver this message in person. ‘Look at me,’ I would say. ‘Look at me.’ But since I am on my own in this matter, I must use subterfuge and guile, and with a bit of luck and good management this particular message will never be deciphered, and my reasons for delivering it in this manner remain obscure."
anita brookner, look at me (1982)
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mauveflwrs:
“Ed Ruscha - Honey (1976)
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kitduckworth:
“stefan zechowski
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